My vote for the most chilling scene on fiction film? It’s not a slasher,
nothing involving Hannibal Lecter, not even the final
moments of “Soylent Green.” No, my nomination for the
Lifetime Achievement in Creepiness goes to the remake of “Invasion of the Body
Snatchers.” As I remember it, the pod-people are taking over
This scene
wouldn’t be so spooky if it was purely fictional. It’s not. Our human versions
of pod people have several times taken over the radio realm, only to be
subverted by the forces of diversity. In the 1920s, the number and variety of
radio stations boomed, but fell under tight government and corporate control in
the 1930s. To escape these limits, operators built huge, unregulated
transmitters across the border, giving voice to the likes of Reverend Ike and Wolfman Jack. When rock and roll was under the safe control
of the AM networks, saturated with ads, yammering DJs, and narrow playlists, along came FM underground radio and its undermining
album-oriented rock. Remember KMPX?
When
corrupt Republicanism reached a crescendo in the early GWB years, media mogul
Rupert Murdoch’s Clear Channel was body-snatching independent
community-centered radio stations by the dozen, leaving pre-programmed drones
in its wake. The
I
discovered internet radio (IR) when my daughter got her own show at KZMU, the
The power
of IR did for music and news what eBay did for retail commerce: it lowered the
barrier for entry. Musicians out on “the long tail” didn’t have meet Clear
Channel or Walmart popularity thresholds to get a world-wide
audience (long tail is a term for what you see when you plot the volume of
music sales by artist. U2 is on the peak
at the upper left; Toast Machine is out at the lower right, on the “long tail”.)
Combine this global reach with the search and collaborative filtering power of “Web
2.0”, and the radio business is revolutionized. For
evidence, see my “dial” idea at live365.com (they beat me to it.)
All of this
beautiful music will go mute, however, if the regulations proposed by the Copyright
Royalty Board are allowed to take effect as planned on July 18. Unless Congress
passes the Internet Radio Equality Act, royalty fee increases of 300% to 1200%
will kill internet radio as we know it. The fee increase will benefit only the big
labels and established artists, as the long-tail artists depend on IR to build
their audiences. Congressmember Woolsey is co-sponsor
of IREA, but Senator Feinstein, a critical vote, needs to be swayed. Call her